Gapplegatemusicreview (US) " I cannot say that there is anything quite like it. Anyone who favors things Brazilian will take to it. Or even those who simply love good music."
Grego Applegate Edwards
Michala Petri, Marilyn Mazur, Daniel Murray, Brazilian Landscapes
Some music to appreciate fully you have to let breathe inside of you for a space. That is true certainly of Michala Petri, Marilyn Mazur and Daniel Murray's Brazilian Landscapes (Our Recordings 6.220618). It needs to breathe inside your musical mind because it has a beauty made up of unusual parts that in turn form an unusual whole.
To start there is the instrumentation and the musical personalities at hand. Recorder, classical guitar and percussion? That in itself is unusual. And then the peopling of the instruments is special. Marilyn Mazur has been for years a very accomplished and innovative percussionist. She shows on this recording that she is ever more resourceful and brilliant in her use of congas and all sorts of percussive instrumental possibilities. Michala Petri plays a very vibrant and contemporary kind of recorder sounding. In her hands it is an instrument of jazzy provenance, very fluid and timbrally diverse. Classical guitarist Daniel Murray plays in a fully blossomed contemporary manner that takes into account the rich tradition of Brazilian and jazz-oriented possibilities without being unaware an unversed in the state-of-the-art stylistic parameters of the classical guitar art per se.
Put these three together with some very ingenious and moving arrangements that allow for and sound with a jazz-like spontaneity. The interactions of the three within the well-worked out arrangements gives us an unusual sonic depth and presence that plays out fully and meaningfully.
And then there is the repertoire, a good mix of classics and lesser know Brazilian classics and lesser known pieces along with a few nice Daniel Murray originals. The Brazilian derived fare includes songs and works by Antonio Carlos Jobim, Egberto Gismonti, Hermeto Pascoal, Heitor Villa-Lobos, plus Paulo Porto Alegre, Paolo Bellinati, Ernesto Nazareth, and Antonio Ribeiro. All of the material has substance and the Brazilian tinge both rhythmically and otherwise.
The result spans chamber classical structure-form and Brazilian jazz heat and drive.
It is beautiful. It needs a few hearings to encompass and then you are there. That is, if you respond to it like I did. I cannot say that there is anything quite like it. Anyone who favors things Brazilian will take to it. Or even those who simply love good music.
Very recommended. A sleeper but a keeper! October 23 2017
Posted by Grego Applegate Edwards at 7:22 AM Monday October 23, 2017
Labels: brazilian chamber classical-jazz, brazilian music for recorder classical guitar and percussion, michala petri marilyn mazur daniel murray brazilian landscapes gapplegate music review