Gapplegate Classical-Modern Music Review
September 6, 2017
Grego Applegate Edwards's
I first thought of "cantankerous" as I listened to the Piano Music (OUR Record-ings 6.220616) of Axel Borup-Jorgensen. But no, a better phrase might be "courageously wayward." Satie, Alkan and Sorabji come to mind when you hear this well done anthology of Axel's solo piano works spanning the wide period from 1948 to 1994. He sounds more like Satie or Messiaen than the others, but in the end he sounds like himself and like the others he is in opposition to the prevailing trends in his lifetime. He is post-impressionist in his ambiance, but peculiarly, originally declamatory and sometimes inclined towards ostinatos and structured repetitions without sounding minimalist.
He has a beautifully developed sense of exotic harmonic logic (as did Messiaen) which he puts to brilliant use in his sometimes whimsical, speech-like or other-worldly phraseology. What is also remarkable is how he has stuck very much to his own way and developed it in the course of the 46 years represented by these pieces.
Erik Kaltoft plays the piano (and celeste) role like he was born to it, carefully nuancing what in other hands might sound on occasion clumsy. The music re-quires a poetic vision and a very sensitive touch to sound properly, it seems to me. Kaltoft delivers with superb performances.
Anyone with an appreciation of piano ambiance and looking for an alternative to Debussy, Satie and Messiaen will in time take to this music, I do believe. But anybody who makes a serious effort of concentrated listening should end up loving this music. Or, so I would hope. Excellent! Grego Applegate Edwards's